Advanced Mastering Techniques

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Are you looking to take your music production skills to the next level? Are you struggling to make your tracks sound professional? Have you heard about advanced mastering techniques, but don't know where to start?If so, then this article is for you. We'll provide an overview of advanced mastering techniques, and discuss how they can help you create high-quality audio that stands out from the crowd. You'll learn how these techniques can be used in both live workshops and music production courses, as well as how they can help you better understand the production process. So, get ready to explore the world of advanced mastering techniques and unlock your potential as a music producer!Mastering is an essential but often misunderstood part of the music production process. It’s the final step in creating a great sounding track that is ready to be released to the world.

In this article, we’ll explore some of the most common advanced mastering techniques used to achieve professional-level results. Equalization (EQ) is the first step in the mastering process. It’s used to adjust the frequency balance of a track, allowing engineers to boost or cut certain frequencies to bring out certain elements in the mix or make them sound better. Compression is another important tool used for mastering. Compression reduces the dynamic range of a track, making it sound more consistent and controlled.

Limiting is another technique used for mastering. It’s similar to compression, but it’s more extreme and is used to prevent a track from peaking too loud. Stereo imaging is also an important part of mastering. This technique is used to give a track a wider soundstage and provide more depth and clarity. When mastering, it’s important to use reference tracks to compare your track against and make sure you’re getting the best results.

It’s also important to take breaks while mastering to ensure you’re not over-processing the track or introducing distortion. Lastly, it’s important to listen to your track in different environments and with different sound systems to make sure it sounds good in all situations. Live music production workshops are a great way for producers to learn more about mastering. Experienced professionals can provide guidance on how to use different techniques effectively, and feedback from peers can help producers improve their skills. Upcoming workshops can usually be found online, and many offer discounts or free admission for first-time attendees. In conclusion, advanced mastering techniques are essential for creating a great sounding track that is ready to be released.

EQ, compression, limiting, and stereo imaging are just some of the most common techniques used for mastering. Making sure you use reference tracks, taking breaks while mastering, and listening in different environments can help you get the best results from your mastering sessions. Lastly, attending live music production workshops can be a great way to learn more about mastering and get feedback from experienced professionals.


Compression is an important tool for controlling the dynamics of a track. It can help to even out the volume levels and make the track sound more professional.

Compressors can be used on individual tracks, like vocals or drums, or on the master bus. When using a compressor, there are several parameters to consider. Attack and release time will determine how fast the compressor responds to the signal. Ratio is the amount of gain reduction applied when the signal exceeds the threshold.

Make-up gain is used to increase the overall volume. Different types of compressors can be used for different purposes. Vocal compressors usually have slower attack and release times, while drum compressors often require faster settings. Bus compressors are used to glue all the elements of a track together, while mastering compressors are used to give a track that final “polish”.When setting up a compressor, it’s important to listen carefully and make adjustments until you get the desired effect. To start, you can use a slow attack, fast release, and low ratio.

You can then adjust the threshold and make-up gain until you get the sound you want. Experimenting with different settings can yield interesting results. In conclusion, compression is an important tool for controlling dynamics and making a track sound professional. Different types of compressors can be used for different purposes, and there are many parameters to consider when setting up a compressor. Experimentation is key to finding the right settings for your track.


Equalization is a powerful tool for shaping the sound of a track.

It is used to boost or cut certain frequencies to create a desired effect. There are several types of equalizers available to use, including parametric, shelving, and graphic equalizers. Each type works differently and can be used to achieve different results. Parametric equalizers are the most common type. They allow you to adjust the gain, frequency, and Q (bandwidth) of each band.

This allows for precise control over the sound, allowing you to boost or cut frequencies as desired. Shelving equalizers are simpler and less flexible than parametric equalizers. They allow you to adjust the cutoff frequency and boost/cut levels of low and high frequencies. Graphic equalizers are more complex than parametric or shelving equalizers. They allow you to adjust multiple bands of frequencies simultaneously.

This allows for more detailed and precise control over the sound. It is also possible to create more complex sound shapes with a graphic equalizer. Different EQ settings will be used depending on the type of sound you are trying to achieve. For example, boosting low frequencies can give a track more body and warmth, while cutting high frequencies can make it sound smoother and more polished. Boosting mid-frequencies can give a track more clarity and presence.

When using EQ, it is important to remember that less is more and that it is better to make subtle adjustments than drastic ones. When mastering your own music, it is important to be aware of how EQ can be used to shape the sound. Different types of equalizers have their own strengths and weaknesses, so it is important to choose the right one for the job. With careful use of EQ, you can create a great sounding track that is ready to be released!

Stereo Imaging

Stereo imaging is a process of creating a wider stereo image, or more specifically, manipulating the left-right balance of sounds to create width in a mix. This can be done by using various tools such as panning, Haas effect, and mid/side processing.

Panning involves placing sounds in different areas of the stereo image, either hard left/right or somewhere in between. The Haas effect is a psychoacoustic phenomenon which creates a widening effect by introducing a slight delay to one side of the signal. Mid/side processing allows you to adjust the center and sides of the mix independently. When it comes to stereo imaging, it’s important to be mindful of the balance of the mix.

Too much stereo width can lead to a cluttered sound. On the other hand, too little stereo width can make the mix sound too narrow and lacking in depth. It’s important to find the right balance between width and clarity. When it comes to settings for stereo imaging, there are no hard and fast rules. It’s all about experimentation and finding what works best for your particular track.

As a general rule of thumb, more subtle settings will work better for most types of music. For example, if you’re using panning, try not to place sounds too far left or right; instead, use more subtle settings and gradually build up the stereo image. The Haas effect can also be used to create a wider stereo image. This effect uses a small delay on one side of the signal to create a widening effect. A common technique is to use a delay time of around 10-20 ms on one side of the signal and then adjust the level of that side accordingly.

Mid/side processing can also be used to create a wider stereo image. This technique allows you to adjust the center and sides of the mix independently, allowing you to create a wider soundstage without sacrificing clarity and definition in the mix. In summary, stereo imaging is an essential part of creating a great sounding mix. Different tools such as panning, Haas effect, and mid/side processing can be used to create a wider stereo image.

Experimentation is key; find what works best for your particular track and achieve the perfect balance between width and clarity.


Limiting is an essential part of mastering that is used to increase the loudness of a track without sacrificing its quality. It does this by keeping the levels of the audio within a certain range. In simple terms, it prevents the signal from going past a certain threshold, thus preventing any distortion or clipping that could occur from overloading the signal. There are many types of limiters available, but the two most common are brickwall and lookahead limiters.

Brickwall limiters are the most basic type and they work by limiting the signal to a certain threshold. Lookahead limiters are more advanced and they work by looking ahead at upcoming samples and then setting the appropriate threshold for those samples, allowing for more precise control over the signal. The parameters of a limiter are important to consider when mastering a track. The main parameters to adjust are the threshold, attack, release, and ratio.

The threshold sets the point at which the limiter will start to take effect, while the attack and release settings control how quickly or slowly the limiter responds to changes in the signal. The ratio setting controls how much reduction is applied to the signal once it passes the threshold. When choosing a limiter for mastering, it's important to consider the type of music you're working with and what kind of sound you're trying to achieve. For example, if you're working with a rock song then you might want to go with a more aggressive limiter setting like a brickwall limiter with a high threshold and a low ratio.

On the other hand, if you're working with a classical piece then you might want to use a lookahead limiter with a low threshold and a high ratio. In general, it's best to start with a gentle approach when using limiters for mastering. Start with low settings for the threshold, attack, release, and ratio, and then gradually increase them until you get the desired sound. This will ensure that your track still has dynamics and won't sound too flat or lifeless.

When setting up your limiter for mastering, it's also important to pay attention to the stereo image of your track. If one side of your track is louder than the other then you'll need to adjust your limiter settings accordingly so that both sides remain balanced. In conclusion, mastering is an essential part of the music production process that can make or break a track. By understanding the basics of mastering and applying the advanced techniques such as Equalization, Compression, Limiting, and Stereo Imaging discussed in this article, you can create great sounding tracks that are ready for release.

Join our live music production workshops to gain hands-on experience with mastering tools and techniques.

Paul Delaney
Paul Delaney

"Paul Delaney is Director at Content Ranked, a London-based digital marketing agency. He has been working in Education since the 1990s and has more than 15 years digital marketing experience in the sector.As Director at he focuses on SEO strategy for educational organisations; and Paul's expert team support clients with on-page, off-page and technical SEO. He is also Marketing Director at Seed Educational Consulting Ltd, a study abroad agency that helps African students study at university abroad. He has also held significant positions at multinational education brands, including Business Development Director at TUI Travel PLC, Area Manager at Eurocentres Foundation, and Sales Office Manager at OISE.Paul holds a postgraduate diploma in Digital Marketing from the Digital Marketing Institute, BA in Publishing from Edinburgh Napier University, and a RSA/Cambridge CELTA.Outside of Education Paul is experienced in event promotion, production, and performance in the music industry."